Setting the key signature (done on a patch-by-patch basis), is essential to this process, and once done, the VE-20 does a good job of tracking the harmony parts. The doubling setting does a decent quick ‘n’ dirty ’80s group vocals in a box. While you’re not going to convince any one you’ve gone through reassignment surgery, it is fun and useful nonetheless. They also can be gender dialed to be sort of more masculine or feminine. Harmonization and Doubling: Two harmony voices can be assigned, panned, and mixed to taste. Robot shifts all input audio into a single, metallic, user-defined note. Hard begins to show some of the artificial edges of the pitch correction, and electronic brings these edges intentionally into clear focus. Soft is very clean, almost not noticeable. The VE-20’s pitch correction comes in 4 flavors: soft, hard, electronic and robot. The delays and reverbs are no-frills, but solid sounding. Strobe is a square wave tremolo effect, and I can see getting some good use out of that. The chorus has a good, rich tone to it, and the distortion is usable, if not anything to write home about. I really liked the tin-can sounding Radio effect, which would allow my singer to leave his megaphone at home. The factory presets are surprisingly good right out of the box, and offer a good tour of the unit’s capabilities. The slate of effects range from bread-and-butter to special effects. I never felt the VE-20 was robbing the input signal of any high or low frequency content, and did not notice any sonic ugliness like RF or digital clocking noise piggybacking on the audio. I tested it with a few microphones, including an EV BK-1 condenser, Shure sm57, sm58 and Beta 58 dynamic mics, as well as pre-recorded tracks reamped via a Radial J48 DI. The VE-20 is sort of a “greatest hits” vocal processor: it has the majority of effects one would expect in a vocal stomp box: pitch correction, harmonization, compression, modulation, delay, and reverb. Outputs are a stereo pair of XLRs running at mic level, and a 1/4” stereo line / headphone jack.
#Best vocal procssor full#
On the back panel, the input is a combo jack accepting either an XLR (with a full +48vdc phantom available) or 1/4” input.
#Best vocal procssor Patch#
The VE-20 is no exception: sturdy metal construction in a twin pedal housing (the left pedal controls global bypass and loop recording, the right pedal controls harmony bypass and patch selection, or can be assigned to several other functions as well. The VE-20 is typical Boss, and I say that in a complimentary way: Boss effects tend to do what their box says they’re going to do, and are built solidly. This tends to translate into anemic sound, noisy signal and angry live sound engineers.Įnter the Boss VE-20 vocal processor, a dedicated microphone level, voice processing stomp box. I’ve been reluctant to put together a vocal effects system for him because of the usually kludgey nature of adding effects to live vocals: running a mic straight into a guitar stomp box, then into a mic preamp. I’ve been getting a lot of pressure from the singer in my band to hook him up with effects for his vocals lately. Vocal effects processors can provide exciting effects through the use of some commonly used effects such as reverb and delay, and EQ control while others provide looping, harmonising, and pitch correction. Take a look at the available Vocal Effects pedals to get an idea of how they can easily integrate into your live setup and elevate your vocals.Updated Aug. Vocal Effects are very popular with solo performers as they can help to deliver a fuller sound or add ambience to delicate ballads.īrands such as BOSS and Roland make a range of Vocal Effects pedals that are reliable, very easy to use, and contain high-quality sounds. Simply plug your microphone cable into the pedal and then another cable to the PA or amp and you're good to go.
#Best vocal procssor professional#
Used across nearly all styles of music, Vocal Effects can deliver a more professional sound. Vocal Effects are an excellent way to add extra depth, atmosphere, and character to your performance.
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